- Issue 3 of the independent Arts Journal Soledad is now available on Amazon! It’s jammed packed with tributes to Blondie and the late Carol Lynley. Short fiction by Les Bohem and Robert Monell. Essays by Tara Hanks, Dave Stewart, Marcelline Block, Laura Kupp Beerman, and Jeremy R Richey. Poetry by Emily Claire Bryant. Photography by Amy Pangburn and interviews with Steven Darrow, Teenage Cavegirl and yours truly!
Part Four of my Autumn in Maine series.
On the Road to Arcadia
Owl’s Head Lighthouse
More photographs from a recent trip to Maine. Check out Autumn in Main – Part One here.
Arcadia National Park
Flowers – Bar Harbor
A few photographs from a recent trip to Maine, More to come.
Arcadia National Park
Today, being the first day of Autumn, I thought I’d share a few photographs I’ve taken over the years.
After moving from the east coast to San Francisco, Dorothea Lange opened a photography studio where she photographs the city’s elite. She met the West Coast top art photographers of the day including Ansel Adams, Edward Weston, and Imogen Cunningham, the last became a close friend. Though Lange knew these titans of photography she was not one of them. They were artists, Lange was a commercial photographer catering to San Francisco’s upper class. During this period, Lange met Maynard Dixon, a well-known artist of western art. They married and had two kids. Lange continued to be successful with her portrait studio work photographing the city’s most successful in society. Her income was steady and there were many times she was the one supporting the family.
Then came the Great Depression.
Lange’s studio work started to dry up. She took her camera outside the studio and found herself emotionally moved by the poverty and homelessness that was more prevalent with each passing day. She met Paul Taylor, an agricultural economist. Taylor was working on a Gov’t project studying Mexican employment patterns in the U.S. He published thirteen monographs on Mexicans immigrants and Mexican-Americans. Taylor was impressed with Lange’s street photography. He felt it expressed what he wrote. They began working together documenting the rural poverty and exploitation of migrants and sharecroppers.
As Lange began the most important part of her career working for the Federal Farm Security Administration photographing the effects of the Dust Bowl: the poverty, the exploitation of migrant workers and sharecroppers, her marriage to Dixon collapsed.
Lange marries Paul Taylor, and while her work reached its most important period documenting social injustices, her private life became more difficult particularly with her son Dan Dixon.
This is a good book, though too much time is spent on Lange’s early years and development before reaching the most important period in her artistic growth. The book ends as Dorothea with her now-adult son Dan prepares for an exhibit of her work at the Museum of Modern Art (MOMA).
As the author states in the Afterward, the book is a fictional version of Lange’s life based on the author’s research and the need to make artistic decisions combing and or altering some events but keeping the spirit and soul of her subject intact. She does it well.
For those who have seen Steven Spielberg’s Close Encounters of the Third Kind, you will remember “Devil’s Tower” as one the film’s locations. Photographed it back in 2012.
Back in the 1970s and living in New York City, I did a lot of street photography. Being a movie fanatic, I went thru a period of photographing the exteriors out many of the movie theaters around the city. Most are now long gone. One of those photographs was of the Baronet/Coronet theaters on the Upper East Side of Manhattan. Those two theaters along with the Cinema One and Two were located on the same block, on 3rd Avenue between 59th and 60th street. Back then they most sort after theaters for filmmakers to showcase their films in the city. The Baronet/Coronet photo was taken in 1976. The film, playing in both theaters was Brian DePalma’s Obsession.
Since the age of the internet, I have posted the photograph online a few times. A couple of months back I received an email from a representative of film director Abel Ferrara (Bad Lieutenant, King of New York, Ms. 45, Body Snatchers) who was currently making a documentary called The Projectionist. The film follows the experience of longtime cinema owner Nicolas Nicolaou and records the changes in the city’s theatrical landscape over the years. My photograph came to the attention of Ferrara, and he was interested in using it in his film.
I recently was officially notified that the photograph is included in the film and I am getting a screen credit. I am also hoping to get a screener of the film to review. As you probably suspect this is a low budget film that will play the Film Festival and College circuit. It won’t be coming to a local AMC or Regal cineplex near you or me. Its world premiere is this week as part of the Tribeca Film Festival and on May 6th the film will having a showing at MOMA (Museum of Modern Art).
A few recent photographs of female painted buntings not willing to share.