Shelburne Museum: The General Store

If you are ever in Burlington Vermont, drive over to the nearby town of Shelburne where you will find the Shelburne Museum. It’s not your typical museum. Located on 45 acres of land there are 39 exhibition buildings consisting of a wide variety of art, prints, folk art, and plenty of Americana.

The General Store dates back to 1840 and was a fascinating look back.

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DeWitt's CW-0587

Haugee’s Cod Liver Oil, Renne’s Oil Compound, and Hanford’s  Balsam of Myrrth were some of the health aids available back in the 1800’s, but the best or at least all-purpose was DeWitt’s Stomach Bitters, an all-everything concoction for improving your appetite, invigorating the system, regulating the bowels, Liver and Kidneys, curing Dyspepsia,  heartburn and a sour stomach.

The label goes on to say, it’s an invaluable aid to persons in delicate and feeble health. Restoring strenght (that’s the way it is spelled on the label) and vigor to wornout constitutions.

Directions: a wineglass full before or after each meal.

A  wineglass is most appropriate because most of these types of “medications” contained quite a bit of alcohol.

Durkee's CW-0590

One of the brands on the above shelf are still in business..Durkee’s.

Harvey's Female Pills CW-0592

I have no idea what or how these pills were meant to help. The  web revealed nothing when I typed in the name other than lot’s of hits on Harvey Weinstein and pills that will enhance your sex life. I doubt this Harvey had much to do with either.

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Men and Women’s hats of the day.

Bottels IMG_2199-002

Some of the products sold in these bottles include Citric Acid, Gylcerin, Sodium Bicarbonate, and Antimuniun Crud. The last word most likely should be read as Crudum.  The bottle’s label is worn after the “Crud” so likely it was spelled correctly as Crudum.

My Book Covers, My Photography

Book Covers1001I have been designing my own book covers, for better or worse, except for my first ebook of fiction (Murder with a Twist), and have been using my own photographs for the covers. Professionals say this is a potential road to disaster. I assume that may be true, but as a  photographer with a backlog of thousands of photographs available, it seemed to me I should be able to find suitable cover photos if I gave it the thought and time.  That said, in this post I thought I’d share some of the creative process involved in selecting the right photograph or photographs that work with each book’s subject matter.

Film Noir at Twenty Four Frames Per Second

My first ebook, Film Noir at Twenty Four Frames Per Second, consist of a collection of film articles from my film blog Twenty Four Frames. When I first became interested in photography, back in the 1970’s, I lived in New York City and many weekends were spent roaming the streets photographing. I sometimes merged my love of movies and photography by photographing the movie theaters that were all over the city. This was before the bland, box cutter multiplexes we have today.  Over the years, whenever I traveled I continued to photograph  classic  movie theaters that have managed to survive the onslaught of multiplexes.  One of these survivors is the Tampa Theater.

My wife and I moved to Florida some twenty years ago and we have attended many film showings at the Tampa Theater (built in 1923). I had photographed the exterior on a few occasions, but wanted to photograph inside the theater. One afternoon, with camera in hand and between film showings I took a series of shots including the one that graces the cover of Film Noir at Twenty Four Frames (I did ask for permission to shoot). The original photograph was in color but keeping in line with the book’s dark theme of film noir, I changed it to black and white giving it a darker look in line with the subject matter.  Below are both the original photo and as it appears on the book cover.

                    Tampa Theate-Aud - Book Cover    Book Cover_DSC_0583-005

 

Lessons in the Dark

Skipping over my first work of fiction (Murder with a Twist), Lessons in the Dark was the second book where I used my own photographs. The cover is a collage of multiple photographs of various New York movies theaters now all sadly gone except for the Paris theater on 58th street. Most were shot on black and white film which I did a lot of at the time.   Lessons in the Dark is collection of article  on films  that hold up a mirror to both our past, and our lives today. These are films though made thirty, forty or fifty years ago remain relevant to our world today. Life and art repeat themselves. The fear mongering, the racial hatred we hear today from plastic gods promising greatness  for America feeding the hate. I knew that I wanted to use a movie theater photograph and began searching through my files. I came to the decision the one theater would be too bland but realizing I have many  photographs of movie theaters and a book that looks back in time I felt a collage might work. I began arranging and rearranging my various theater photographs. There were multiple versions until I came up with the final cover. Below are a few of the original photographs used followed by the final book cover.

        Baronet & Coronet Theatres_CR1-001 Book Cover   Loew's S-002 book cover

42nd Street-003 book Cover    Loew's Oriental -1971 Book Cover

 

Lessons Dark Final Book Cover

Devious Tales

Devious Tales needed something dark and maybe a bit mysterious considering the subject matter. The original photo was taken in 2016 along Santa Fe’s Canyon Road, known for being a street filled with art gallery after art gallery, many artist owned and run. The photograph was taken outside the entrance way of  one of those gallery’s. The image was all shadows reflecting off the gallery’s adobe building. The photo came across to me as somewhat dark and shadowy. Below is the original photo, a black and white version followed by both the final ebook cover and paperback cover.

        Wall Shadow_DSC655_CW-6555          Wall Shadow_DSC655_CW_B&W-6555

 

                     Devious Tales Book Cover - Final (1 of 1)-001           Devious Tales Paperback Cover

In a future post, I will take a look at the making of the book cover for Bitter Ends, my upcoming collection of short stories.

Reflections

One of my favorite subjects to photograph are reflections.  Reflections are all abstract versions of life. Using water, mirrors, windows or any reflective surface can transform an image into something richer,  unique, and even artistic.

Tennessee Near Smoky Mountains

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New Hampshire

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Macy’s NYC Easter Window – 2008

NYC Macy's (1 of 1)

Skyscraper Reflection

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Sandhill Cranes Sunset

Sandhill Cranes NM Sunset-DSC2137-CW

Grand Tetons

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Ghost Ranch – New Mexico

Ghost Ranch Reflection_DSC_2394 CW

Dorothy

Dorothy Reflection Final-

Untitled

Bar Harbor Reflection-4441

Water Reflection #1

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Water Reflection #2

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Visions of Maine – Part 3

Part 3 is the final post in the series of photos from my recent trip to Maine. You can find Part 1 here and Part 2 here.

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Main Street,  Bar Harbor

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View from Inside Ellsworth, Maine Library

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Flowers with Schooner

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Belfast, Maine 

Downtown Belfast-4540

Opera House – Belfast, Maine

You can read a bit of history at this link.

Belfast Opera House-4533

Bar Harbor Inn

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Visions of Maine – Part 2

Part 2 in my series of photographs from a recent trip to Maine. You can find Part 1 here.

Somesville, Maine

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Arcadia National State Park

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Somesville, Maine

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Bird Houses

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The First Church of Belfast (Maine)

The steeple bell of The First Church was made by the Revere and Son Co., as in Paul Revere. It was installed in 1819.

The First Church in Belfast-4543

Bar Harbor Schooner 

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Visions of Maine – Part One

A few photographs from a recent trip to one of my favorite states.

Arcadia National Park

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Bar Harbor Reflection

Bar Harbor Reflection-4441

Bar Harbor

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Bar Harbor Sunset

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Colburn Shoe Store (Oldest Shoe Store in America) – Belfast, Maine 

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Arcadia National Park

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From Real to Reel: Still Photographers at the Movies – Bunny Yeager

Bunny Teager

This is the 6th installment in this series.

Linnea Eleanor Yeager was born  in Wilkensburg, Pennsylvania, a suburb of Pittsburg. When Linnea was 17, she and her family moved to Miami. That was in 1946. A longtime movie fan, she somewhere during this period adopted the nickname of Bunny which she procured from Lana Turner’s character, Bunny Smith, in MGM’s Weekend at the Waldorf (1945). She developed an early interest in photography and began photographing friends. After graduating from Edison High School in Miami, Yeager registered as a student at the Coronet Modeling School and Agency.  Bunny won a few beauty contests including a ‘Sports Queen’ contest where she was crowned by a pre-Marilyn Monroe Joe DiMaggio. She began to receive modeling jobs and they kept on coming. At five foot ten, with a voluptuous figure, Bunny was perfect for modeling. She also had another not so secret weapon. She made her own bikinis. In those days, bikinis were rare. Models were still wearing one-piece swimsuits. Over the years, Yeager would make bikinis for herself and her models. Though Bunny continued to model, her interest was mainly for working behind the camera. In 1953, she signed up for some photography classes. For one of her class assignments she took a couple of friends to Boca Rotan’s Africa U.S.A. park, the same park one year or so later she would take Bettie Page and shoot some of their best-known photographs. When still an amateur, Yeager sold her first photo, a picture of local model, Maria Stinger, also known as Miami’s answer to Marilyn Monroe, to Eye magazine.

Bunnty Stinger

Maria Stinger at Africa U.S.A in Boca Raton. Bunny Yeager’s first sale.

Bettie Page was already a popular model in New York’s seedy world of ‘camera clubs,’ men’s magazines, and for her work with Irving and Paula Klaw. On vacation in Florida, Bettie contacted a few photographers including Bunny Yeager. By this time, Yeager had some professional work to her credit, both in front and behind the camera, but was still new in the business.  The women worked well together. They did a wide variety of early morning shoots on Florida’s pristine beaches. The sunlight graced and exposed Page and Yeager’s other models for the natural beauties they were. Yeager designed many of the bikinis Bettie Page wore. During this period, Bunny asked if Bettie would mind working with animals. No problem, she responded. Bunny set up a photo session at Africa U.S.A. in Boca Raton. Bettie posed with a wide variety of animals: zebras, monkeys, ostriches, and cheetahs. Those photos became extremely popular, for Yeager her biggest sellers. Bettie’s skimpy outfit in the photos mirrored the wild animals’ fur. Yeager had another idea; a Christmas photo. She photographed Bettie kneeing next to a small Christmas tree wearing nothing but a Santa Claus hat and a smile. Playboy magazine, still in its infancy, and still accepting photographs from unknown photographers published the photo and used it as the centerfold for the January 1955 issue. Bunny received $100. Bunny has claimed to have taken at least 1,000 pictures of Page.

Bettie Page on the  each in Florida and Bettie and Bunny at Africa U.S.A. in Boca Raton 

The 1950’s and 1960’s were Bunny’s best years both as a photographer and as a model. She did a lot of her own modeling in front of the camera by using her camera’s timer. She did five photographic layouts for Playboy and even appeared in the magazine herself. Her photographs appeared in other girlie magazines of the day including Cavalier, Nugget, Escapade, Sunbathing, and the National Police Gazette, in addition to hundreds of pin-up calendars that men had hanging in locker rooms and elsewhere. Her work also appeared in more mainstream magazines like Cosmopolitan, Redbook, Esquire, and Women’s Wear Daily. Other work included working as a still photographer in Jamaica during the filming of the first James Bond movie, Dr. No. That famous white bikini shot of Ursula coming out of the water. Yep, that was photographed by Yeager.

Andress

Ursula Andress on the set of Dr. No. Photograph by Bunny Yeager

In the 1970’s, times changed. Magazines like Playboy, Penthouse, and others wanted more graphic pictures, something Yeager was not willing to do. Her girl next door innocent, yet sexy look was out of style for magazines like the hardcore Hustler. It wasn’t until the 2000’s when Yeager’s photography began to regain its due fame. In 2010, the Andy Warhol Museum in Pittsburgh presented Bunny Yeager: The Legendary Queen of the Pin-up. The show was a collection of twenty-eight self-portraits. They were both artful and sensual and became an influence on modern-day photographers like Cindy Sherman. Other exhibits followed. Over the years there have been a series of books published on her work. One of the last before her death was Bunny Yeager’s Darkroom Pinup Photography’s Golden Era by Petra Mason. Bunny died in 2014 at the age of 85.

Books by Bunny Yeager

 

Bunny Yeager on Film

In the 2005 film, The Notorious Bettie Page, Bunny is portrayed by Sarah Paulson. It’s a small role as brief as her real-life collaboration with the model. The movie itself seems all too innocent; Page’s acting career, modeling, bondage photos and eventually her path back to religion. The film ignores Bettie’s later years of depression, a nervous breakdown, and her lack of compensation for the photos and movies she did. Gretchen Mol does an excellent job as Page; as expected Bunny’s career and accomplishments are ignored.

That said, Bunny had a diverse career in the movies mostly behind the scenes. In 1968, she appeared in a small role as a Swedish masseuse in the Frank Sinatra P.I. film, Lady in Cement. She also appeared in the Paul Newman film, Harry and Son (1984) and in an episode of the TV series B.L. Stryker (1989) in which she once again played a masseuse.

Bunny also appeared in a few low budget exploitation films mostly playing herself in films like Bunny Yeager’s Nude Camera (1963), Bunny Yeager’s  Nude Las Vegas (1964), Nudes of Tiger Beach (1965), all directed by exploitation maven Barry Mahon. Yeager also appeared in a series of documentaries, the most prominent included 100 Girls by Bunny Yeager (1999), Herschell Gordon Lewis: The Godfather of Gore (2010), and Bettie Page Reveals All (2012).

Bunny was also behind the scenes as a still photographer, most prominently as previously mentioned in Dr. No (1962). Other films were in the pre-porn exploitation film world of works like Nude on the Moon (1961) and Blaze Starr Goes Nudist (1962) both directed by the prolific Queen of Sexploitation, Doris Wishman.

You can read earlier installments in the From Real to Real: Still Photographers in the Movies by clicking right here.