Visions of Maine – Part 3

Part 3 is the final post in the series of photos from my recent trip to Maine. You can find Part 1 here and Part 2 here.

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Main Street,  Bar Harbor

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View from Inside Ellsworth, Maine Library

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Flowers with Schooner

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Belfast, Maine 

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Opera House – Belfast, Maine

You can read a bit of history at this link.

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Bar Harbor Inn

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Visions of Maine – Part One

A few photographs from a recent trip to one of my favorite states.

Arcadia National Park

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Bar Harbor Reflection

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Bar Harbor

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Bar Harbor Sunset

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Colburn Shoe Store (Oldest Shoe Store in America) – Belfast, Maine 

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Arcadia National Park

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Elvis and The Clash

In 1979, The Clash were still relatively new on the music scene. London Calling was their third studio album. The cover photo was shot by Brit photographer Pennie Smith. She caught Clash guitarist Paul Simonon  bending over smashing his guitar. Smith did not want to use the photo because it was a bit on the blurry side. However, the album’s Graphic Designer Ray Lowery liked the idea and convinced Pennie it caught the mood and fury of the band. It was Lowery’s decision to closely duplicate the style, lettering and colors of Elvis Presley’s debut LP symbolically linking the rock legend to the new guard.

The Elvis cover was photographed by Tampa’s  William V. “Red” Robertson during the second of two shows at Tampa’s Fort Homer Hesterly Armory. The date was July 31, 1955. The show’s headliner was Andy Griffith. Elvis was billed 6th. Below is the original uncropped photo.

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From Real to Reel: Still Photographers at the Movies Astrid Kirchherr

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Astrid Kirchherr

This is the 5th installment in this series.

Klaus Voormann and Astrid Kirchherr knew each other since their days at art school in Hamburg. It was there they met Jürgen Vollmer, a photographer. Voormann and Kirchherr were lovers, though their relationship was heading toward an end. After an argument one evening, Klaus wandered into the Kaiserkeller a club in a nasty section of Hamburg called the Reeperbahn filled with drunken sailors, prostitutes, gangsters and other sorts. The artsy/beatnik crowd that Voormann, Kirchherr, and Vollmer were part of were more into jazz and coffeehouses that the raucous rock and roll or the Reeperbahn. They wore their hair long, for the times, and leaned toward wearing black clothes. Voormann’s crowd were part of a group known as exis, short for existentialists who read Camus and Sartre.

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Klaus Voormann – Photo by Astrid Kirchherr

Depending on what biography you read, on stage at the time were Rory Storm and the Hurricanes whose drummer was Richard Starkey, aka Ringo Starr, or a leather-clad group called the Beatles (the two groups’ alternated sets). Most bios lean toward the Beatles. Either way, the music was loud and raw.

Klaus found the music exciting and the band wild. He could not wait to go and tell Astrid and Vollmer what he experienced.  Astrid Kirchherr was already working as an assistant to photographer Reinhard Wolf and was on the cusp of having a great career of her own. Born in 1938 in Hamburg, Germany to a middle-class family. Astrid’s father was an executive officer in the German branch of the Ford Motor Company. When World War II broke, Astrid and her family evacuated to the Baltic Sea. After the war, they returned to a bombed out Hamburg, but still managed to live comfortably. [1]  She attended Meisterschule für Mode, Textil, Graphik und Werbung in Hamburg to study fashion design. During this period, she also displayed a talent for photography and was convinced by the school’s top photographic instructor Reinhard Wolf to switch courses. After graduating, Wolf hired Kirchherr as an assistant where she still worked when Klaus brought her to the club where she would meet the Beatles.

At first, Astrid did not want to go to the seedy red-light district. Sometime between Klaus’ first visit and the time he got Astrid to join him (timing again differs depending on the biographer), Klaus, who spoke decent English, and was a wannabe guitarist and a graphic designer, just completed a commission to do the cover of the Ventures’ Walk Don’t Run album. [2] He approached John one night showing him the album. John brushed him off, telling him he should talk to Stu, he was the arty one.

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Stu Sutcliffe – Photo by Astrid Kirchherr

Eventually, after tireless insistence on Klaus’ part, Astrid, along Vollmer, went to the club. The three were blown away by the wild, Gene Vincent, Chuck Berry, Little Richard songs played by the group. Astrid was as captivated as Klaus by the group, and by John in particular, but it was the sunglass-wearing diminutive Stu, the bass player who stood quietly near Lennon on stage that really attracted the young woman and the others in the arty group. Astrid, Klaus, and Vollmer kept coming back to the club, enthralled by the music. At first, Astrid hid her attraction to Stu by using her professional photographer status as a front. She asked to photograph them. The Beatles were flattered, to say the least, that a professional photographer, a beautiful professional photographer, wanted to take their pictures.

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Astrid Kirchherr and Stu Sutcliffe – Photograph by Astrid Kirchherr

Using a Rolleicord medium format camera and black and white film, Astrid brought the boys to a local amusement park called the Dom. The park had only a few people roaming around that day due to inclement weather. Astrid did not speak much English at the time, so she and the group communicated mostly through various gestures and her positioning the boys the way she wanted them to pose. In those first photos, the Beatles still had their hair combed back in the standard 1950’s-60’s Teddy Boy style of the day. Stu would be the first to change his hair with the help of Astrid. She did not invent the Beatles hairstyle as so often is incorrectly reported. At the time it was a familiar style among their arty/exis crowd including Klaus. The others, except for Pete Best, eventually would follow.

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The Beatles in Hamburg – Photo by Astrid Kirchherr

Astrid’s photos captured the rawness, the innocence, the attitude, the tough guy exterior, behind their insecurities, as well as the beauty of the group. The  for these boys, rock and roll was all there was in life. The boys loved the photographs and posed for Astrid on various occasions. The images from this period, along with photos taken by Jürgen Vollmer[3] have become part of the Beatles legend, in their own way historical documents capturing a moment in time.

 

 

Lennon and Sutcliffe (left) George Harrison (right)- photos by Astrid Kirchherr 

In 1964, while on assignment with photojournalist Max Scheler, for Stern magazine and using a 35mm film, Astrid photographed the Beatles once again during the filming of A Hard Day’s Night. She would also do the album cover for George Harrison’s Wonderwall Music. A couple of years later Astrid gave up her photographic career. She did stay friends with all the Beatles over the years though she lost touch with John Lennon after he moved to the United States. For many years, Astrid sadly saw no income from her Beatles photos though they were used over and over in many publications and bootleg albums.  It was in the 1980’s when she managed to get her original negatives back and her copyright.

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Astrid Kirchherr on Film

Astrid Kirchherr made it to the movie screen in the 1994 film Backbeat which as you would expect is the story of the Beatles during their early days, before fame, playing in the sleazy sections of Hamburg. Kirchherr is played nicely by Sheryl Lee who bears an uncanny resemblance to the photographer. Astrid was a consultant on the film and was interviewed by screenwriter/director Iain Softley as part of his research.

I wrote an article about Backbeat on my film blog, Twenty Four Frames. Instead of repeating much of the information, please jump over to read by clicking right here.

 

Footnotes:

[1] An Interview with Astrid Kirchherr  

[2] Klaus Voormann would later design the covers for both  Revolver and The White Album. He also would play on many of the Beatles solo album including John Lennon’s Imagine, Plastic Ono Band, Sometime in New York City, Walls, and Bridges, George Harrison’s All Things Must Pass, Living in the Material World, Extra Texture and Ringo Starr’s Ringo, Sentimental Journey and Goodnight Vienna. He also was in Lennon’s Plastic Ono Band for the Toronto concert and played at the Concert for Bangladesh.

[3] The cover of John Lennon’s 1975 Rock and Roll album features a photograph by Jürgen Vollmer taken during one of the Beatles later trips to Germany. Vollmer nicely captures Lennon’s early rebel image. Wearing a leather jacket, hands in pocket and one foot casually over the other; a combination of early Brando and a young Dylan, framed in an entrance way of an old brick building somewhere in Hamburg. The three blurred figures passing by are Paul McCartney, George Harrison, and Stu Sutcliffe.

 

 

Covered Bridges of New England

I love New England! One of the many regional attractions are its covered bridges. They scream out NEW ENGLAND!  Every New England state has them. Most go back to the 1900’s and were used daily by the local population. Today, they are still used, and are major attractions to both photographers and artists looking to capture a true piece of New England architecture and landscape.

Tannery Hill Bridge – New Hampshire

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White Mountain Nat’l Forest Covered Bridge – New Hampshire

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Pemigewasset River Bridge (1886) – New Hampshire

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Blair Covered Bridge  (White Mountains) – New HampshireBlair BRidge-6469

 

Middle Bridge – Woodstock Vt.

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Martin Bridge – Vermont

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Jeffersonville Covered Bridge – Vermont

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Gorham Bridge – Vermont

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Cooley Bridge – Vermont

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Bridgewater Covered Bridge – Vermont

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Quechee Covered Bridge – VermontQuechee Covered Bridge - CW-

Taftsville Covered Bridge – Vermont

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Lincoln Gap aka Warren Bridge – Vermont

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Chamberlin Mill Covered Bridge, Lyndon, Vermont

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Murder, Mayhem and Christmas

Over the years, I have developed a bit of an addiction to reading holiday themed mysteries around this time of the year.   Murder, mayhem and Christmas make for a good holiday treat. I thought  I would list a few seasonal mystery books I have read over the years that you may enjoy.

Hercule Poirot’s Christmas- Agatha Christie

Technically, I have not read this yet. I bought a copy a couple of days ago and just began it last night. But hey, it’s Dame Agatha, so it can’t be bad.

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 Silent Night – Robert B. Parker

Robert B. Parker was one of my favorite authors. This slender volume was left uncompleted when the author passed away in 2010. The book was completed by his long time editor and friend Helen Brann. Subsequently, we got one last Spenser novel from the master. It’s not Parker at his best, but even middle of the road Parker is better than none at all.

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The Spy Who Came For Christmas – David Morrell

Santa Fe, New Mexico is one of my favorite cities to visit. David Morrell, born in Canada, has lived in Santa Fe for many years. He knows the town and uses it’s famed art strip, Canyon Road, as the setting for this fast paced snowy Christmas Eve thriller.

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Christmas at The Mysterious Bookshop – Otto Penzler

For 17 years, Otto Penzler commissioned a Christmas themed short story from one of his favorite mystery writers. The one criteria, besides a Christmas setting, was the story or at least some of it had to take place at Penzler’s famed NYC Mysterious Bookshop.  In 2010, he compiled the stories and published this excellent collection. Among the authors, Lawrence Block, Donald Westlake, S.J.Rozan and Mary Higgins Clark. A must read.

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Wreck the Halls – Sarah Graves

I earlier mentioned New Mexico as one of my favorite places to visit. The great state of Maine is another. Like New Mexico, I have been to Maine a few times. On one of our trips, my wife and I went to Eastport. Maine, the eastern most city in the United States. While walking along the small town’s main street we came across a hardware store. We noticed there was something  odd about its window display.  In one corner, there was a series of paperback books, all by one author…Sarah Graves. Intrigued, we went in and browsed through some of the books and decided to purchase two. The woman behind the counter, then asked us if we would like the books autographed? The author was upstairs, she said pointing to a staircase toward the back of the store. We climbed up and sure enough, there was Sarah Graves sitting at a desk. We talked for a few minutes, and she signed our books. While I never found out, I suspect Ms. Graves owned the hardware store. It would make sense, but then again, like her books, it’s a mystery.

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Shadows of a Maine Christmas  Lea Wait

Like Ms. Graves, Lea Wait is a Maine author, and she captures the state’s atmosphere superbly in her series of cozy mysteries. You genuinely feel like you are in small town Maine. Murder, a bit of violence, and long buried secrets all come to light in this holiday treat.

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A Christmas Carol – Charles Dickens

Okay, it may be a bit of a stretch to include Dicken’s classic as a mystery, but think about it; the book is filled with suspense, ghosts and a bit of mayhem. I have read A Christmas Carol several times over the years and it’s always a pleasure,

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Black and White Photo Challenge

There has been a meme going around on Facebook where you are “challenged” to post a black and white photograph, one each day for seven days. No explanation, no details required. Just the photograph.

Now that I finished FB challenge, I thought I would share all 7 photos here beginning with my day one entry at the top and working my way down.

 

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Day2

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Egret in Black and White

I photographed this egret at a nearby rookery a few years back and never did anything with it. Like so many photos, as you continue to shoot more and more, older works sometimes get buried and forgotten about. Originally shot in color, I finally decided it worked better as a black and white. Here is the final results.

You can see more of my work by clicking on John Greco Photography.

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