Robert B Parker’s Jesse Stone is one of my favorite characters. Jesse was once a promising shortstop until he suffered a career-ending injury. After that, Jesse became a police officer with the L.A. Police. He developed a drinking problem (Johnny Walker Black) after his wife Jan left him. It cost him his job. He eventually got the position of Chief of Police in the small fictional Massachusetts town of Paradise; mainly because the town’s political honchos knowing his damaged history thought they could control him. They didn’t know Jesse.
The Hangman’s Sonnet, Reed Farrel Coleman’s fourth book in the series, picks up not too long after where Debt to Pay finishes with the death of Jesse’s fiance Diana. With Diana death, his drinking, always a problem, has unraveled forcing one on one interventions from co-workers and friends to help Jesse keep his job. Meanwhile, the management team of Terry Jester, one time called Boston’s Bob Dylan, has approached Jesse about a big industry party to be held in Paradise to publicize the release of Terry’s first album in decades. The recordings mysteriously disappeared before its release as Jester himself did a J.D. Salinger at the same time, and has not been heard from or seen since. The few who heard the album years ago say it is a masterpiece and would place Jester in the top ranks of artists.
Meanwhile, two thugs, King and Hump, recently released from prison, break into the home of a wealthy old lady. They have been hired by a third person, to retrieve some important items, they themselves are not even sure what they are looking for which makes the job difficult. The thugs tear up the house as they search. Unfortunately, during the home invasion the elderly woman, tied up and gagged, dies. No one was supposed to die.
Jesse is working the case, trying to hold on to his job, and his drinking problem all at the same time. He eventually comes to the conclusion that somehow the missing Jester tapes and the break-in resulting in the old woman’s death are connected. If he’s wrong, his job could be once again in jeopardy.
The Hangman’s Sonnet is a fast-paced read, though there may be a little too much time spent on Jesse’s drinking which is full tilt boogie. Coleman though is a good storyteller and he captures Parker’s rhythm and nuances perfectly.

With its nod to cinema’s master of suspense, A.J. Finn’s The Woman in the Window is a thrill filled ride of twists and turns that do not let up until the final pages.
When the 2016 best books of the year lists were compiled, Ruth Franklin’s biography of author Shirley Jackson was conspicuously listed on many of those lists; you couldn’t help but take notice. Jackson, if you are unaware, is best known for her novel The Haunting of Hill House, and her short story The Lottery. The book is extremely well researched with Ms. Franklin given access to many of Jackson’s journals, drafts, notes, letters, and more than 50 unpublished works as well as interviews that she did during her career.
Okay, I admit I am bias about New England. It’s my favorite part of the country. There’s a quaint historical feel to almost everywhere you go. It’s in the architecture, the landscape, the air and the people. Adding to my bias is the fact my wife was born and raised in Marlboro, MA. Over the years, we have travelled to every state that makes up the geographical area known as New England. Some states like Vermont, Massachusetts and Maine are particular favorites, but I have found something fascinating and stimulating in all of them. So when I came across Jacqueline T. Lynch’s collection of essays on what it means to be a New Englander I knew I had to read it. Lynch writes in her introduction, “This is not about New England the place as it is about New England the idea…” She focuses on ideas that came out of the nineteen century and moved us into the twentieth century.
Ivan G. Shreve Jr. of Thrilling Days of Yesteryear gave a fabulous review of my e-book. You can read it here!