Here are a few more films I watched while social distancing during the Covid-19 pandemic which is still not under control. Here in Florida it continues to spread. I hope everyone is staying safe. Please wear a mask, it’s not that big a sacrifice. I know you can handle it Anyway, as I shelter from the storm, here are a few thoughts on some of the films I’ve watched. More to come!
Whether you are a musician, writer, actor, artist or any other public figure, you know having fans is an integral part of the experience. Fans follow the artist on social media, fans share experiences and thoughts with each other, and fans are devoted. However, with some fans there comes the point when that devotion takes a turn toward some very dark places; far from the ordinary, toward the bizarre, the maniacal or even worst. Fan is short for fanatic which derives from the Latin adjective fanaticus. The fanatic has lost all perspective of their relationship to the artist. They are overly passionate and unreasonable in their devotion to their idol. Some even feel they know the artist and have a personal relationship where the artist is speaking directly to them. It’s all very delusional, and needless to say, way outside the boundaries of what is considered conventional behavior. Then there is Annie Wilkes (Kathy Bates).
Misery is one of my favorite Stephen King novels and one of the best adaptations of a King novel. Filled with dark witty humor and a sense of dread that builds throughout. Would have loved to have seen Hitchcock make this film
The Incredible Shrinking Man
Ignore the silly title this is one of the greatest existential science fiction films ever made. It’s based on Richard Matheson’s novel, The Shrinking Man. On the surface, the film is fun to watch, but it does carry some serious underlying themes. Our Shrinking hero sees his shrinkage as a loss of his masculinity. As he continues to shrink, he feels his manhood and his place as the man of the house are being diminished as well. He is no longer sexually adequate. He also faces a life where everyday objects are now life-threatening. A spider he once would have stepped on is now the size of a prehistoric monster. The pet cat is a predatory beast ready to attack. Small leaks from the basement water heater turn into a major flood for our minuscule hero. He hates being a scientific experiment and a spectacle for the media. He now fights for survival in his own house where everyday objects are now the enemy to his existence. Finally, he must face the biggest question of all. If he continues to shrink, will he eventually even exist?
Lost in America
“Turn on, Tune in, Drop out!” Timothy Leary once proclaimed. Albert Brooks takes it to heart and is born to be wild in this hilarious off-beat comedy, Lost in America is his third feature film as a director and writer (script co-written with, Monica McGowan Johnson). David (Albert Brooks) and Linda (Julie Hagerty) Howard, two materialistic yuppies who have good jobs and a pleasant life in California, but still do not feel fulfilled with their lives. David is expecting a big promotion to Senior Vice-President with the advertising company where he works. However, on the big day, he finds out his boss has other “big” plans for him. A transfer to New York to work on a major new account…and no promotion. David is stunned; His jaw-dropping response is, “a transfer??? I can get that at a bus stop!” He goes on a verbal rampage directed at his boss and is fired. He convinces Linda to quit her job, sell all their assets, buy a Winnebago, and go searching for America just like Peter Fonda and Dennis Hopper..well almost.
And so they hit the road to the tune of Steppenwolf’s’ Born to Be Wild blasting on the soundtrack. We watch as their new Winnebago heads out on the highway, looking for adventure, in this superb parody of the counterculture hit, Easy Rider.
The free-spirited lifestyle doesn’t work out and the couple comes to realize that dropping out may not be the answer, at least not for them. Two weeks after hitting the road David and Linda make their way to New York with plans and hopes of David begging to get his job back
Between the Lines
I have always had an affinity for newspaper themed films. Billy Wilder’s Ace in the Hole, Sam Fuller’s Park Row, Alan Pakula’s All the President’s Men, Howard Hawks’ His Girl Friday, Alexander MacKendrick’s Sweet Smell of Success, Orson Welles’ Citizen Kane, Phil Karlson’s Scandal Sheet, Richard Brooks’ Deadline U.S.A, and more recently Tom McCarthy’s Spotlight are just some of my favorites. As you can tell from this small list, newspaper reporting can be a heroic endeavor or it can be down and dirty, even scandalous.
A forgotten film in this sub-genre is Between the Lines. With the rise of the counterculture in the 1960s, as well as the Vietnam anti-war movement, the civil rights movement, and the feminist movement, underground newspapers representing the growing and influential youth market of the time were beginning to pop up throughout the country. The heyday of the underground newspaper was between 1965-1973. By 1977, when this film was made the idealism and the paper’s circulation has faded thanks to an apathetic public. The film works best as a document of its times, capturing the shabby conditions, the idealistic anti-establishment attitude of the characters, and finally the realization that it’s all about to change. The cast includes John Heard, Jeff Goldblum, Lindsay Crouse, Bruno Kirby, Gwen Welles, Stephen Collins, Michael J. Pollard, and others. One of the highlights is a couple of live performances from Southside Johnny and The Asbury Jukes.