Recent Read: Hollywood vs the Author

HollywoodYou don’t have to be an author or a movie lover to find this collection of interviews/essays fascinating. It’s well known that writers in Hollywoodland are considered cesspool waste or at best necessary evils. This book is a sobering look at the life of writers who dare to go Hollywood. Among the authors included are Lee Goldberg, Michael Connelly, Tess Gerritsen, Lawrence Block, Max Allan Collins, Alexandra Sokoloff, and T. Jefferson Parker.

After reading this interesting and entertaining collection my recommendation to any author who finds himself in the position where a Hollywood producer is offering you an advance on your book, it’s best to just take the money and run.  Let them do with it what they will. They will change it, adding characters, removing  characters, locations, motivations and everything else for reasons that may or may not make sense to you. Once you sign on the dotted line you have no control on what they do to your story and your characters. What they can’t change is your book. Your vision, your story remains the same between between the pages of the book. It will remain intact in bookstores everywhere. So unless your in the Stephen King stratosphere of authors either stay away or take the money and run.

Mickey Spillane’s Mike Hammer

Few authors get to portray their own lead character in a movie. Sure, Stephen King has had cameo roles in many films based on his work including Pet Sematary, Thinner, Sleepwalkers. Peter Benchley had a cameo as a TV reporter in the screen version of his best selling novel Jaws, and William Peter Blatty appeared early on in the role of a movie producer in the movie version of The Exorcist. Other authors have made brief appearances in film versions of their works, but none have ever portrayed their own iconic character in a leading role except for Mickey Spillane.

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Mickey Spillane as Mike Hammer and Shirley Eaton in “The Girl Hunters”

In 1963, Mickey Spillane played his legendary P.I., Mike Hammer in The Girl Hunters. The film is middle of the road, worth seeing, but Spillane’s lack of talent as an actor is evident. The novel, the seventh in the series, deals with an alcoholic Hammer whose binge drinking has been going on ever since his beloved Velda has gone missing and is presumed dead for the past seven years. He receives a second chance and inspiration when he learns there’s a chance Velda may still be alive.

While Sam Spade and Philip Marlowe worked on the outskirts of the law, Mike Hammer found the legalities of the system to be a hindrance to his own brand of righteousness. Hammer was a tough, no holds barred P.I., extreme in his use of violence even by today’s standards. A right-wing, anti-communist, Hammer would have made both Spade and Marlowe shake in their boots. You might call Hammer the father to Clint Eastwood’s Harry Callahan, both are more vigilantes than  lawmen and both had little use for ethical boundaries of the law when pursuing a criminal. Hammer has no problem shooting a killer in the gut and while watching him die kick his teeth out, or maybe he’ll just put a cigarette out in the victim’s eye. In Dirty Harry, Harry Callahan shoots the suspected serial killer known as “Scorpio” in the leg, even though he surrendered and had his hands up in the air. Harry though isn’t finished yet, he wants to know where Scorpio’s kidnapped 14-year-old victim is buried alive. To encourage his victim to speak, Harry presses his foot on Scorpio’s wound harder and harder until he gives up the girl’s location. Mike Hammer would be proud.

juryHammer first appeared back in 1947 in Spillane’s first and still the best-known novel, I, The Jury. The Great War had just ended, and anti-communism was on the rise, the House on Un-American Activities, established in 1938, was gaining power, the rise of Joe McCarthy, and the Hollywood Blacklist were all in full swing. The Cold War was building, and many Americans wondered if nuclear destruction was not far away. This is the world that shaped Mickey Spillane and that of his hero Mike Hammer. Spillane decided not to sugar coat the world in his books. It was a rough and violent world, and he would not play it politely. I, The Jury shocked readers. While a lot of the dialogue today may seem dated, the ending is still shocking.

I, The Jury became a pop culture phenomena; the book is mentioned in Larry McMurtry’s novel The Last Picture Show as a paperback the town’s local drug store could not keep in stock. In Peter Bogdanovich’s screen version we see the book passed from one high school kid to another in a classroom. On TV, in the first episode of Happy Days, Potsie Weber gives Richie Cunningham a copy of the Spillane’s torrid book to study after he gets a date with Mary Lou Wiggins, a girl with an easy reputation. In an episode of M.A.S.H., Major Charles Winchester, indebted to Klinger for saving his life, reads from I, The Jury while the Major unappreciative listens.

In addition to Spillane’s depiction in The Girl Hunters, Mike Hammer has been portrayed by many actors over the years in films:  Biff Eliot (I, The Jury–1953), Armand Assante (I, The Jury–1982), Robert Bray (My Gun is Quick–1957) and Ralph Meeker (Kiss Me, Deadly–1955). Made for TV movies featured Stacy Keach in a series of films: Murder Me, Murder You (1983), the pilot of the TV series, More Than Murder (1984), The Return of Mickey Spillane’s Mike Hammer (1986), Mike Hammer’s Murder Takes All (1989). Keach also played Hammer in The New Mike Hammer TV series that ran for four seasons (1984-1987). In 1997, the show was brought back with Keach under the name Mike Hammer, Private Eye. Kevin Dobson played Hammer in a 1981 TV film, Margin for Murder. Things deteriorated for Spillane’s tough guy when in 1994 another TV film called Come Die With Me: A Mickey Spillane Mike Hammer Mystery appeared starring Rob Estes with Pam Anderson as Velda. The best of the movies is Robert Aldrich’s, Kiss Me, Deadly with Ralph Meeker making for a perfect Mike Hammer. The film was in synch with the paranoia and fear of a nuclear war prevalent at the time.

The earliest attempt at a TV series came in 1954 when Blake Edwards (The Pink Panther) wrote and directed a pilot for a series called Mickey Spillane’s Mike Hammer with Brian Keith as the tough P.I. The pilot was considered too violent for the times and did not get picked up by the networks. Edwards would have better luck in TV detectives a few years later with the smoother and cooler Peter Gunn. In the late 1950s, Spillane’s P.I. did make it to the small screen with Darren McGavin portraying Hammer in Mike Hammer.

Since Spillane’s death in 2006, the prolific author Max Allan Collins, a friend of Spillane’s was given the blessing of completing various unfinished manuscripts and to this day continues to put out Mike Hammer novels.

Quarry – New Cinemax Series Scores A Hit

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The new  TV fall season has barely begun, yet what is most likely going to be one of the fall’s most interesting shows premiered on Cinemax last Friday night. Quarry is based on a series of Max Allan Collins novels. The show follows the story of Mac Conway (Logan Marshall-Green), a recently discharged marine just back from Vietnam. Set in the early 1970’s, the political winds of the county were blowing against the war. Unlike soldiers coming back from Iraq and Afghanistan now, nobody was thanking Vietnam Vets for their service. Mac and his fellow marine and friend, Arthur, are greeted by protestors at their home town Memphis airport. Continue reading “Quarry – New Cinemax Series Scores A Hit”