Shelburne Museum: The General Store

If you are ever in Burlington Vermont, drive over to the nearby town of Shelburne where you will find the Shelburne Museum. It’s not your typical museum. Located on 45 acres of land there are 39 exhibition buildings consisting of a wide variety of art, prints, folk art, and plenty of Americana.

The General Store dates back to 1840 and was a fascinating look back.

Gen Store IMG_2206-001

Gen Store Shelves CW-0584

 

DeWitt's CW-0587

Haugee’s Cod Liver Oil, Renne’s Oil Compound, and Hanford’s  Balsam of Myrrth were some of the health aids available back in the 1800’s, but the best or at least all-purpose was DeWitt’s Stomach Bitters, an all-everything concoction for improving your appetite, invigorating the system, regulating the bowels, Liver and Kidneys, curing Dyspepsia,  heartburn and a sour stomach.

The label goes on to say, it’s an invaluable aid to persons in delicate and feeble health. Restoring strenght (that’s the way it is spelled on the label) and vigor to wornout constitutions.

Directions: a wineglass full before or after each meal.

A  wineglass is most appropriate because most of these types of “medications” contained quite a bit of alcohol.

Durkee's CW-0590

One of the brands on the above shelf are still in business..Durkee’s.

Harvey's Female Pills CW-0592

I have no idea what or how these pills were meant to help. The  web revealed nothing when I typed in the name other than lot’s of hits on Harvey Weinstein and pills that will enhance your sex life. I doubt this Harvey had much to do with either.

Hats CW-0599

Men and Women’s hats of the day.

Bottels IMG_2199-002

Some of the products sold in these bottles include Citric Acid, Gylcerin, Sodium Bicarbonate, and Antimuniun Crud. The last word most likely should be read as Crudum.  The bottle’s label is worn after the “Crud” so likely it was spelled correctly as Crudum.

Recent Read: Colorblind

199B652E-8B8B-4644-8883-F788B9B848A0

Colorblind is Reed Farrel Coleman’s fifth book since taking over Robert B. Parker’s Jesse Stone series. It’s his best. Coleman has taken Stone, and while preserving Parker’s essence, made him his own. It’s a winning combination.

After a few months in rehab, Jesse  gets a second chance as police chief in the small Massachusetts town of Paradise. He is still struggling, both emotionally and mentally, to recover from the death of his murdered love, Diana.

When Jesse first became police chief of Paradise, years ago, it was a small town with not much happening. A far cry from his days with the L.A. Police. But like so much of America, Paradise has grown and changed. Barely able to settle back in to his job, there‘s a rape and death of  a young African-American, Felicity Wileford, who was jogging alone on the beach.  A few nights later, a burning cross is planted on the property of Dr. Ron Patel and his wife. The home was previously owned by Jesse. What the incidents have in common is Felicity was in a relationship with a white man and Dr. Patel, an Indian, has a wife who is white. Not long after these incidents, flyers are found on many parked cars placed there during the night. They are credited to an extremist right-wing group called  “The Saviors of Society.” A few nights later, the group targets Jesse’s deputy, Alisha, the first black woman ever hired as a police officer in Paradise, framing her for a bad shooting.

In this book, Coleman brings to the forefront a series of timely issues turning this story into a much darker version than earlier books in the series. Like the rest of America, Paradise is dealing with issues that have divided us. Don’t let that discourage you, just think about it the same way as if you’re watching a movie franchise and different artists have taken over from the originals. It’s different, but the same.

My Book Covers, My Photography

Book Covers1001I have been designing my own book covers, for better or worse, except for my first ebook of fiction (Murder with a Twist), and have been using my own photographs for the covers. Professionals say this is a potential road to disaster. I assume that may be true, but as a  photographer with a backlog of thousands of photographs available, it seemed to me I should be able to find suitable cover photos if I gave it the thought and time.  That said, in this post I thought I’d share some of the creative process involved in selecting the right photograph or photographs that work with each book’s subject matter.

Film Noir at Twenty Four Frames Per Second

My first ebook, Film Noir at Twenty Four Frames Per Second, consist of a collection of film articles from my film blog Twenty Four Frames. When I first became interested in photography, back in the 1970’s, I lived in New York City and many weekends were spent roaming the streets photographing. I sometimes merged my love of movies and photography by photographing the movie theaters that were all over the city. This was before the bland, box cutter multiplexes we have today.  Over the years, whenever I traveled I continued to photograph  classic  movie theaters that have managed to survive the onslaught of multiplexes.  One of these survivors is the Tampa Theater.

My wife and I moved to Florida some twenty years ago and we have attended many film showings at the Tampa Theater (built in 1923). I had photographed the exterior on a few occasions, but wanted to photograph inside the theater. One afternoon, with camera in hand and between film showings I took a series of shots including the one that graces the cover of Film Noir at Twenty Four Frames (I did ask for permission to shoot). The original photograph was in color but keeping in line with the book’s dark theme of film noir, I changed it to black and white giving it a darker look in line with the subject matter.  Below are both the original photo and as it appears on the book cover.

                    Tampa Theate-Aud - Book Cover    Book Cover_DSC_0583-005

 

Lessons in the Dark

Skipping over my first work of fiction (Murder with a Twist), Lessons in the Dark was the second book where I used my own photographs. The cover is a collage of multiple photographs of various New York movies theaters now all sadly gone except for the Paris theater on 58th street. Most were shot on black and white film which I did a lot of at the time.   Lessons in the Dark is collection of article  on films  that hold up a mirror to both our past, and our lives today. These are films though made thirty, forty or fifty years ago remain relevant to our world today. Life and art repeat themselves. The fear mongering, the racial hatred we hear today from plastic gods promising greatness  for America feeding the hate. I knew that I wanted to use a movie theater photograph and began searching through my files. I came to the decision the one theater would be too bland but realizing I have many  photographs of movie theaters and a book that looks back in time I felt a collage might work. I began arranging and rearranging my various theater photographs. There were multiple versions until I came up with the final cover. Below are a few of the original photographs used followed by the final book cover.

        Baronet & Coronet Theatres_CR1-001 Book Cover   Loew's S-002 book cover

42nd Street-003 book Cover    Loew's Oriental -1971 Book Cover

 

Lessons Dark Final Book Cover

Devious Tales

Devious Tales needed something dark and maybe a bit mysterious considering the subject matter. The original photo was taken in 2016 along Santa Fe’s Canyon Road, known for being a street filled with art gallery after art gallery, many artist owned and run. The photograph was taken outside the entrance way of  one of those gallery’s. The image was all shadows reflecting off the gallery’s adobe building. The photo came across to me as somewhat dark and shadowy. Below is the original photo, a black and white version followed by both the final ebook cover and paperback cover.

        Wall Shadow_DSC655_CW-6555          Wall Shadow_DSC655_CW_B&W-6555

 

                     Devious Tales Book Cover - Final (1 of 1)-001           Devious Tales Paperback Cover

In a future post, I will take a look at the making of the book cover for Bitter Ends, my upcoming collection of short stories.